i.
The corals don’t speak anymore.
Their voices turned brittle—
Rachel Eliza Griffiths, our guest judge, is a poet & novelist whose work has been published in The New York Times, The New Yorker, and Tin House, among others.
This month, take a few moments to step outside. Examine how the leaves strain against the wind, focus your attention on the ant moving a grain of sand, or consider the grass sprouting from the pavement cracks. Once you’ve regarded the intricacy of the natural world around you, write an original poem about what you know and love from the natural world. You may choose to write about change (like how the forested lot next door is now a parking lot), worries (like the oil sheen in the rain barrel), or celebrations (like the melody of cowbells on a breezy day).
**PRIZES**
Winner will receive $100. Runner-Up and Best Peer Review will each receive $50.
Competition Entries
Log in to see how other young writers from around the world have responded to the competition prompt!
i.
The corals don’t speak anymore.
Their voices turned brittle—
Once, in the house with glass candles in every window,
my grandfather told me of his father while we let our gaze drift on soft wings outside,
kitchen superimposed golden over the darkening fields.
immemorial, they have watched the sky
for centuries;
strange humpbacked creatures
Be God. Step way back for a second. Imagine this folded earth as bed sheets dropped in heaps onto the floor. Now stick a steep winter light off to the east. Call this a landscape. Tall shadows form across the peaks and troughs. Look closer—hard mineral waters flow across rocks and roots, through duff and brambles. Watch all the forks of the rivers, sloughs, and creeks empty in the bay, and the bay into the ocean whose gray voice all things must answ
The drumbeats begin against the windows,
opening bars of what will be known to be a grand symphony.
Splitting through the classroom's silence
As I'm headed out the door,
In a rush and as absent as can be,
Something stops me in my tracks,
When the shell of what was splits clean, it does so quietly,
No cry for what it leaves behind.
Only a pale light stretches inward
Golden fingers, spinning Hands
Weaving golden threaded land
Crafting clouded colors grand
Reviewed by: Sunggeri (China) Winner
What impression does this poem make on you, as a whole? What feeling are you left with at the end?
Reviewed by: Emmi_B (Australia) Runner Up
What impression does this poem make on you, as a whole? What feeling are you left with at the end?
i.
The corals don’t speak anymore.
Their voices turned brittle—
Once, in the house with glass candles in every window,
my grandfather told me of his father while we let our gaze drift on soft wings outside,
kitchen superimposed golden over the darkening fields.
immemorial, they have watched the sky
for centuries;
strange humpbacked creatures
Be God. Step way back for a second. Imagine this folded earth as bed sheets dropped in heaps onto the floor. Now stick a steep winter light off to the east. Call this a landscape. Tall shadows form across the peaks and troughs. Look closer—hard mineral waters flow across rocks and roots, through duff and brambles. Watch all the forks of the rivers, sloughs, and creeks empty in the bay, and the bay into the ocean whose gray voice all things must answ
The drumbeats begin against the windows,
opening bars of what will be known to be a grand symphony.
Splitting through the classroom's silence
As I'm headed out the door,
In a rush and as absent as can be,
Something stops me in my tracks,
When the shell of what was splits clean, it does so quietly,
No cry for what it leaves behind.
Only a pale light stretches inward
Golden fingers, spinning Hands
Weaving golden threaded land
Crafting clouded colors grand